African American legacy, culture, and identity is a core value of the HCAACD mission. We are grounded in our intentional approach to placemaking that supports a rooted sense of place and identity. The placemaking strategy is to work first from within the district boundaries to then visually define the geographic border that is historically known as the Redline.

In the midst of the COVID19 pandemic, HCAACD launched the Signal Box Project. The public art project is both visual and educational in its impact to instill cultural pride and community connectedness that illuminates people, places, and heritage sites to tell the stories of community-builders, changemakers, and influencers.

Artist Desmond Hansen was commissioned by HCAACD to create portraiture on six designated signal boxes at major intersections throughout the Central District corridor. Artist Perry Porter was sub-contracted to support the work alongside Hansen for one of the boxes. QR codes are adhered to each box that extend the visual storytelling to an educational opportunity that links an online biography or essay posted at HistoryLink.org and BlackPast.org The project funding supported QR code tracking for two years that provided feedback about user interaction. The Signal Box Project brought a wonderful, unexpected, and heightened response ignited by a sense of pride and remembrance. The project was a catalyst for the commission of additional boxes beyond the original six that were privately funded.

The Signal Box Project was funded by the Seattle Office of Economic Development. Special thanks to Seattle Department of Transportation for coordinating the sites.

Dave Lewis played a pivotal role in the Pacific Northwest’s rhythm and blues scene during the 1950s and 1960s. He was a talented musician, primarily known for his skills on the saxophone. Lewis was influential in shaping the sound of the region by contributing to the development of rhythm and blues, and soul music in Seattle, Portland and beyond. His performances and recordings left a lasting impact on the music scene, and he remains a notable figure in the history of Pacific Northwest music.

Woody Woodhouse, hailing originally from Detroit, made his way to Seattle in the mid-1960s. Renowned for his rich, velvety bass vocals and skilled drumming, he quickly became a beloved figure in the Seattle jazz community. In recognition of his contributions, Mr. Woodhouse was honored with induction into the Seattle Jazz Hall of Fame in 2005.

Jonathan Moore was a rapper, dj, teacher, activist, and foundational architchet to Seattle’s Hip-Hop culture and community. He was instrumental in bringing hip-hop from the Central District to Seattle’s Downtown music scene, helping book crucial early breakthrough shows for local artists. Jonathan Moore’s depth of service and contributions place him among the most significant cultural figures in Seattle’s hip-hop history.
Thelma Dewitty was a talented classroom teacher who became the first African American educator in Washington state’s Seattle Public School System. In addition to serving as an educator, Mrs. Dewitty worked tirelessly for the Seattle branch of the NAACP, serving as its president in the late 1950s. She also served on the Washington State Board Against Discrimination, and she volunteered on the Board of Theater Supervisors for Seattle and King County.
Joe Brazil was a local jazz saxophonist and educator. He taught jazz at Garfield High School, co-founded the Black Music curriculum at the University of Washington, and founded the Black Academy of Music in Seattle. He was also the first African American hired at the University of Washington.
Flo Ware was a renowned civil rights and educational reform activist, radio host, and community advocate. Her work started with local political organizing directed towards Seattle Public Schools and eventually culminated in an electoral campaign for a seat in the House of Representatives. She dedicated her life to improving the Seattle education system and lives of those in the Central District who were marginalized and overlooked.
William Grose was a successful Seattle Black pioneer, wealthy businessman, and entrepreneur often overlooked in Seattle’s history. He spoke multiple languages, worked in the Navy, gold mines in California, and active in the west coast underground railroad. In Seattle, he built a three-story hotel on Yesler Wharf, and bought 12 acres in the Madison Valley, establishing a foothold for the African-American community in part of what is now the Central District.